George Harrison and Ringo Starr tells Paul McCartney to back off from being a producer on recording the album Abbey Road of the Beatles.
Showing posts with label Faul. Show all posts
Showing posts with label Faul. Show all posts
Monday, 9 April 2018
Friday, 9 March 2018
The Beatles - connected: Paul McCartney was replaced (video)
Sir Paul McCartney is telling the story of replacing James Paul McCartney through various YouTube channels....All music and video editing by Marty Biggs
Wednesday, 21 February 2018
Monday, 19 February 2018
Thursday, 15 February 2018
The Beatles - Is Paul McCartney DEAD? (video)
There is a rumour going round in the world of The Beatles that Paul McCartney actually died in 1966 and was replaced by a look-alike double. This impostor is still playing the role of Paul to this day. Could this possibly be true? Dr Nick Kollerstrom has investigated this matter and has delivered another live lecture on the subject in Oxford. He has also written a book about it, see: http://terroronthetube.co.uk/paul-and....
See here for a video of Nick's previous Oxford live event: http://hpanwo-tv.blogspot.co.uk/2015/....
Sunday, 11 February 2018
Thursday, 8 February 2018
Tuesday, 6 February 2018
The Beatles - Hey Faul (Extended Version) - music video
It was May of 1969, the news of the rumor Paul was dead came months later. Here is the Apple recording you have heard, and have not heard like this before now.
(Reversed) Hey Faul (Extended Version) lyrics
He will be with me.
They may hide it.
He must be with me.
They miss him.
He must be with me.
They miss him.
Paul was cut. Why? (Paul is dead.)
They hide it.
Who lives with that?
Paul is dead.
Who lives with that?
Paul, miss him.
Paul, you lost your wings.
Paul is screaming.
Please, get me out! Please.
Why? Why? Why? Why? Why? Why? Why? Please, get me out!
Who is Paul?
They bought me out. (head wrapped)
They bought me out.(miss him)
They bought me out.
The Beatles - Paul to Faul Voice Comparisons and Song key Change! - Yesterday - Song Key Change (video)
I get a lot of comments on my other videos asking how did they find a replacement that sings EXACTLY like the original Paul McCartney, well here I will show you they did not. I took the recordings from the videos linked below. Why would you transpose a perfectly good song that was originally in the key of G to D minor? That makes no sense to me.
Paul McCartney a.k.a Faul McCartney - Yesterday // Lyrics - Subtitles
Link to Faul - https://www.youtube.com/watch?v=TTLJ2...
The Beatles Yesterday (Original) - Remastered 2010
Link to Paul - https://www.youtube.com/watch?v=2uneY...
The Beatles - Paul McCartney Vs Faul McCartney 2, Forensic Voice Comparison 2 (Use Headphones) - video
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"The Beatles-Mother Nature's Son (2009 Digital Remaster)"
© EMI
"Kanye West & The Beatles-Southside My Dear"
© UMG
SEGUNDA PARTE DE TAN IMPORTANTE DEMOSTRACIÓN
Antes de ver el video, LEER LA DESCRIPCIÓN:
Hemos trabajado incansablemente para difundir la verdad respecto a la Supuesta y Legendaria Leyenda de la Muerte de Paul en 1966. Nuestro Canal ha sido desarrollado con la única intención de brindar a los que conocen esta historia, la versión REAL de los hechos, basandonos en la VERSIÓN ORIGINAL DEL 60IF.COM, que fue un sitio en Internet, que en 2001, tras la muerte de Geroge, difundió una declaración postuma en la que el Ex Beatle, por medio de "alguien" de extrema confianza, desidió comunicar a millones de FANS la verdad de todos los mensajes, diseños de portadas y sucesos internos de THE BEATLES, que sabÃa que nadie más podrÃa decir.
Años antes, el mismo MAL EVANS, fiel amigo de THE BEATLES, intentó escribir un libro respecto a la historia real de este fabuloso cuarteto, y misteriosamente sus escritos desaparecieron, junto con la FAMOSA maleta de evidencias y recuerdos acerca de The Beatles, siendo asesinado en su propia casa.
Lo anterior es evidencia inicial de que algo fuera de lo normal sucedió dentro de la banda. Inicialmente, hemos PUBLICADO en este canal, de primera mano, la historia del 60IF.com. Posteriormente, los videos denominados "Klaatu Evidence", que es el mensaje encriptado dentro del 60IF, en el cual, nunca NOMBRO oficialmente el nombre de "aquel hombre de hermosa y dulce voz que fue utilizado para suplantar a PAUL mientras FAUL asumÃa su papel, y cuyas grabaciones fueron incluÃdas en albumes FINALES y en el SINGLE NAVIDEÑO".
ESTE VIDEO está inspirado en investigaciones que cientos de aficionados alrededor del mundo comenzaron a hacer para descubrir que canciones eran de Paul y cuales de Faul, y en las que INESPEERADAMENTE apareció un tercer vocalista, totalmente DESCONOCIDO. Mas tarde, el Dr. Henry M. de la Universidad de Miami que utilizó 3 canciones de "Paul McCartney" (Yesterday, Penny Lane, and Hey Jude) y obtuvo 3 diferentes SONOGRAMAS... (Reeve, Andru J., Turn Me On, Dead Man: The Complete Story of the Paul McCartney Death Hoax, Ann Arbor: Popular Culture, Ink, 1994: 69).
También, hemos desencriptado el MENSAJE de "The Warlus Was PAUL", y lo hemos mostrado para ustedes.
Ahora, presentamos el "Forensic Voice Comparison" Una EXTENSA comparación de las voces de PAUL, TERRY y FAUL, dentro de álbumes posteriores a 1966.
Para conocer profundamente la VOZ de Terry, y conocer las evidencias que THE BEATLES contaron a travez de KLAATU, recomendamos consultar completamente los videos KLAATU EVIDENCE.
Esperamos sus comentarios, no dejen de COMPARTIR este material con sus amigos, ya que no existe en INTERNET, ningún usuario que esté contando ni mostrando alguna evidencia FORENSE como la que estamos por presentar a ustedes.
A diferencia de muchos otros, nosotros no buscamos fines de lucro en esta investigación, ni trascender de ninguna forma, el mérito de toda esta investigación y las pistas son para John Lennon, George Harrison, Ringo Star, Dee Long, Terry Draper y desdde luego, los MENSAJES SUBLIMINALES del mismo FAUL MCCARTNEY.
Ha llegado el momento de poder reconocer el trabajo de Terry Draper y de Faul McCartney con The Beatles, y este video presenta al fin, la primera parte de evidencia respecto a las grabaciones de Terry, Faul y las de Paul que no llegaron a grabarse en estudio pero que fueron editadas y trabajadas, de la misma forma qem ue posteriormente se editarÃan canciones como "Real Love" y "Free As a Bird" de John Lennon, que igualmente son producciones ensambladas por THE BEATLES vivos junto al trabajo en casa de un Beatle fallecido.
El único Beatle con vida actualmente es Ringo Starr, y ya en alguno de nuestros videos hemos PUBLICADO las declaraciones de Ringo respecto a que él es el último Beatle que vive.
Para poder CONOCER CRONOLOGICAMENTE la historia de The Beatles, la Muerte de Paul y toda la información de nuestra investigación, por favor dirÃjanse a:
http://www.taringa.net/posts/noticias...
Esperamos ansiosamente sus comentarios .
Es tiempo de que todos aquellos que IDOLATRAN a FAUL, se den cuenta de sus alcances SATANISTAS, del uso de la imagen de ALESTER CROWLEY en conciertos y para sus FANS, asà como el uso de mensajes satanicos en sus canciones, todo, con la única intención de mantener viva la gran mentira de su vida.
Forensic Voice Comparison.
PUEDEN ENCONTRAR MAS INFORMACIÓN EN ESTA FUENTE EN INGLES:
http://digilander.libero.it/p_truth/a...
Pueden encontrar la VERSION ORIGINAL del 60IF, la cual luefo fue modicifada y alterada para perder credibilidad:
60IF: The True Story of Paul McCartney's Death in 1966
http://pid90066.tripod.com/PM2.htm
Monday, 5 February 2018
The Beatles - The FAUL GUY (Paul 1967)
Who Is William Shepherd?
"This is our true story as we told it to Billy Shepherd"
Bill Shepherd as Vivian Stanshall
Bill Shepherd's Transformation
Shepherd / James McCartney
History of The Beatles with the replacement of Paul McCartney to Bill Shepherd a.k.a Faul McCartney - Part 1
History of The Beatles with the replacement of Paul McCartney to Bill Shepherd a.k.a Faul McCartney - Part 2
Sources from :-
The Memoirs of Billy Shears
"Ringo Says Paul DIED in 1966"
After a supposed car accident in '66 the Beatles never played 'live' again on stage in America - or in public anywhere else really. Why would a #1 band hide out at the top of their career, change their very successful music style and divert into strangeness and secrecy?
Regardless, here's a in "Remembrance to Paul" who'd be 70 this year. Hope you like the show.
Those marked with * are the ones I got most of my show content from.
* http://www.youtube.com/user/beat68 "The Beatles Come to town '68"
* http://plasticmacca.blogspot.com youtube.com/user/faulconandsnowjob
Sadder songs today: Researchers say modern music has lost the 'feelgood factor'
"As a result, unambiguously uplifting songs like the Beatles' Help! or She Loves You are few and far between."
Sunday, 4 February 2018
The Beatles - Paul McCartney Was Replaced in 1966 (video)
Original Picture of William Shears Campbell (figure that took place for the replacement of Paul McCartney after 1966. Also known as Paul 1967 or Faul McCartney. His other beatles bandmate call him, Bill or Billy Shears)
Saturday, 3 February 2018
The Beatles - Paul McCartney is dead - Blood test proved you were fooled! (video)
Other Information :-
Paul Is Dead: Replaced by William Campbell (Nothing Is Real) by Jairo Parra
Friday, 2 February 2018
The Beatles - Paul McCartney (1964) Interview VS. Paul McCartney (1968) Interview
David Frost interview with Paul McCartney (1964) [Eng. Subtitles]
On April 15th 1964, Paul McCartney sat down with David Frost for a brief interview that would be telecast on May 18th as part of the BBC television program 'A Degree Of Frost.'
Paul McCartney interview from a 1968 BBC documentary.
The interview is transcribed on this page: http://www.beatlesinterviews.org/db19...
The video pictures 1968 BBC Interview (original) VS. Remastered Footage (renew)
Monday, 29 January 2018
Tuesday, 23 January 2018
The Beatles - Sgt. Pepper's Lonely Hearts Club Band (audio)
The Beatles Sgt Pepper's Lonely Hearts Club Band (50th Anniversary Edition) (Full Album)
THE BEATLES - SGT. PEPPER'S LONELY HEARTS CLUB BAND (1967) - (for mobile users)
00:00 Sgt. Pepper's Lonely Hearts Club Band
02:02 With A Little Help From My Friends
04:47 Lucy In The Sky With Diamonds
08:15 Getting Better
11:02 Fixing A Hole
13:39 She's Leaving Home
17:05 Being For The Benefit Of Mr. Kite
19:45 Within You Without You
24:51 When I'm Sixty-Four
27:31 Lovely Rita
30:18 Good Morning Good Morning
32:51 Sgt. Pepper's Lonely Hearts Club Band (Reprise)
34:11 A Day In The Life
Description from https://en.wikipedia.org/wiki/Sgt._Pepper's_Lonely_Hearts_Club_Band
This article is about the 1967 album. For other uses, see Sgt. Pepper's Lonely Hearts Club Band (disambiguation).
Sgt. Pepper's Lonely Hearts Club Band is the eighth studio album by English rock band the Beatles. Released on 26 May 1967 in the United Kingdom[nb 1] and 2 June 1967 in the United States, it was an immediate commercial and critical success, spending 27 weeks at the top of the UK albums chart and 15 weeks at number one in the US. On release, the album was lauded by the vast majority of critics for its innovations in music production, songwriting and graphic design, for bridging a cultural divide between popular music and legitimate art, and for providing a musical representation of its generation and the contemporary counterculture. It won four Grammy Awards in 1968, including Album of the Year, the first rock LP to receive this honour.
In August 1966, the Beatles permanently retired from touring and began a three-month holiday from recording. During a return flight to London in November, Paul McCartney had an idea for a song involving an Edwardian era military band that would eventually form the impetus of the Sgt. Pepper concept. Sessions for the album began on 24 November in Abbey Road Studio Two with two compositions inspired by their youth, "Strawberry Fields Forever" and "Penny Lane", but after pressure from EMI, the songs were released as a double A-side single and were not included on the album.
In February 1967, after recording the title track "Sgt. Pepper's Lonely Hearts Club Band", McCartney suggested that the Beatles should release an entire album that would represent a performance by the fictional Sgt. Pepper band. This alter ego group would give them the freedom to experiment musically. During the recording sessions, the band furthered the technological progression they had made with their 1966 album Revolver. Knowing they would not have to perform the tracks live, they adopted an experimental approach to composition and recording on songs such as "With a Little Help from My Friends", "Lucy in the Sky with Diamonds" and "A Day in the Life". Producer George Martin and engineer Geoff Emerick's innovative recording of the album included the liberal application of sound shaping signal processing and the use of a 40-piece orchestra performing aleatoric crescendos. Recording was completed on 21 April 1967. The cover, depicting the Beatles posing in front of a tableau of celebrities and historical figures, was designed by the British pop artists Peter Blake and Jann Haworth.
Sgt. Pepper is regarded by musicologists as an early concept album that advanced the use of extended form in popular music while continuing the artistic maturation seen on the Beatles' preceding releases. It has been described as one of the first art rock LPs, aiding the development of progressive rock, and credited with marking the beginning of the album era. An important work of British psychedelia, the album incorporates a range of stylistic influences, including vaudeville, circus, music hall, avant-garde, and Westernand Indian classical music. In 2003, the Library of Congress placed Sgt. Pepper in the National Recording Registry, honouring the work as "culturally, historically, or aesthetically significant".[2] That same year, Rolling Stone magazine ranked it number one in its list of the "500 Greatest Albums of All Time". As of 2011, it has sold more than 32 million copies worldwide, making it one of the best-selling albums in history. Professor Kevin J. Dettmar, writing in the Oxford Encyclopedia of British Literature, described it as "the most important and influential rock and roll album ever recorded".[3]
BILLY PEPPER & THE PEPPERPOTS front page album
BILLY PEPPER & THE PEPPERPOTS back album
1. Descriptions of I ONEI X
2. Another Descriptions of I ONEI X
3. The descriptions of the John Lennon Date Clue Confusion
Sources from :-
Continues your readings in the articles below. It is related to the case of the death of Paul McCartney 1966.
60IF: The True Story of Paul McCartney's Death in 1966
WEBMASTER'S NOTE: The following is a deathbed confession of George Harrison concerning some very morbid and disturbing facts about Paul McCartney and the Beatles. Obviously, because of the nature of this information, I cannot reveal my name, nor can I tell you how this written confession landed in my hands. The important thing to note is that George specifically requested that this information be released to the public in time for the real Paul McCartney's birthday on June 18th of this year, the day on which Paul would have been 60...IF he were alive.
Sunday, September 11th, 1966, Evening
Brian and Paul were returning from their trip in good spirits. It had been a wonderful time. After John's notorious phrase which had instigated the storm in the world against the Beatles, everything seemed to be finally returning to normal.
And Paul had had a sudden burst of extraordinary creativity over a very short period of time, and things were looking up.
It had been a typically seasonal rainy day. At a normally quiet intersection, a van suddenly cut across the street, blocking the car Brian and Paul were in. The car didn't quite stop in time and hit the van, but not seriously enough to do any real damage. They expected to discuss what had happened with the occupants of the other vehicle, but instead men dressed in black appeared from the van and grabbed Brian, Paul and one of the girls who happened to be with them at the time and forced them into another car that had turned up in the meantime. The second girl who was with them, however, had the presence of mind to run away.
The morning afterwards, not knowing what had happened, we tried to call Brian and Paul but strangely we couldn't get hold of them. We retraced their steps through our common friends but nobody had seen or heard from them. We were on the telephone all day.
The next day the police phoned to tell us that they had a girl with them confirming that Brian and Paul had been kidnapped. Ringo was the first one to arrive where the kidnapping had taken place; the vehicles were empty. The girl told us what had happened. We began to panic. John became hysterical and we didn't know what to think or what to do. But we were able to suppress the story from the Wednesday newspapers thanks to some acquaintances of ours. We had directly contacted the intelligence service who understood the gravity of the situation and the social ramifications if word got out. They told us that they would take care of everything. All we had to do was to continue our daily routine and keep all our previously appointed business engagements. We waited for the kidnappers to contact us with a ransom demand of some sort. Time passed and nothing happened. As more days passed, our apprehension grew.
It was the stupid bloody Tuesday of the following week when we received the call, but not the one we had been waiting for. We were called out in order to identify Paul's body. At the time John was in Paris and George was in India. They immediately returned home. Paul was found at the foot of a hill, a little distance from a white Volkswagen.
He was in a ghastly state. He had been dead for a while and beasts had begun to eat at him; his lips looked as if they had been torn by some animal. The left side of his face had also been torn to pieces and the whole of his ear had been bitten off. Those wretches had tried to burn him to eliminate the evidence, but only the legs had managed to be burnt before the rain extinguished the fire.
The mangled corpse of Paul McCartney
(a frame from the "Free as a Bird" video)
When we arrived there was a line of police officers blocking us while a crowd of men in shirts were retrieving material for further investigation. They were so oblivious to the grief we felt that one of them had the audacity to exclaim right in front of the Paul's dead body: "Look ...it seems like a walrus!"
Well, with his teeth hanging outside of his eaten-up lips and with a shiny swollen ear and dripping wet he really did look like a walrus. John confronted the man who had spoken so insensitively and they began to brawl. He had to be pulled away as he howled: "I.., I am the walrus ..not him, I.., I am the walrus!"
Brian was found, two days later, in a car which had been pushed over a cliff and set alight. We were desperately aware that Paul, Brian and the Beatles were finished. But our anger made us think: we would not stop, we would not give up. Paul had left a lot of material that was yet to be published. We met: nobody had to know and Paul could still be kept alive. The only question was how.
It was announced to the press the Beatles' wished not to play any more concerts and only work in the recording studio, which gave us a bit of breathing space. It was suggested to us from the same intelligence service department what to do: they had in their secret labs at their disposal cosmetic surgeons with the technical skills to recreate perfect doubles but in exchange for their help we had to keep quiet about what had happened; the penalty for refusing to remain silent was death.
We found a look-alike for Brian and a few contenders for Paul but the main problem was to find one with the most similar voice possible. We had to check out a number of imitators (and there were many at that time) and find one with a face compatible with Paul's. We found a boy with a beautiful voice that was able to imitate Paul in a cogent manner but his face presented problems that would not be compliant with the cosmetic surgery needed.
We decided however to use him to complete the songs for the album that was in current preparation so it could be released as quickly as possible in order to divert the suspicions and rumours that had begun to hound us. When we had all but given up the right man was found.
His name was William Sheppard and he had formerly been an Ontario police officer. He was also a musician who was familiar with, and fond of, the music of the Beatles. He had a beautiful voice but the quality of his Paul voice imitation was not as good as that of the boy who had already been working with us; however his face as presented was wonderfully compatible as regards to the profile and jaw, two key factors in determining the correct candidate that the cosmetic surgeons could use.
Despite this, there were a number of differences:
Paul was far-sighted
Bill was near-sighted
Paul had hair that naturally went from left to right
Bill had (has) hair that went naturally from right to left
Paul had a round face
Bill had a long face
Paul was left handed
Bill was right handed
In an irony of fate the "substitutes" had inverted heights: The substitute of Paul was taller and the counterpart of Brian was smaller. For this, they suggested tricks that we were to adopt when we were filmed together.
When Bill was in the police he was nicknamed (playing on his last name) "Sgt.Pepper" because he liked to drink and his nose, a bit rounded, was often red. After plastic surgery John gave Bill the nickname of "Faul". Our introduction to Faul was the national hymn at the start of "All You Need Is Love", and "Sgt.Pepper" was the first album with the photos of Faul even though they needed to be retouched.
This album cover is full of messages. Many of those that you have discovered are true, others are not, others have been badly interpreted.
One of the most important is "Welcome The Rolling Stones" written with blood. We hadn't had news about who it was that had killed Paul and John was sure that his murder had been commissioned by the Rolling Stones as they were well-known as delinquents. The crowd is made up of those that Paul would have wanted at his funeral.
The following facts are true:
In the lowest row of flowers the word "Paul?" is written.
The band had its name changed; they were no longer called "The Beatles" but only "Beatles".
Most effectively in the bass drum there are mirrored words: it's the date of Brian and Paul's disappearance : 1ONE IX (September 11).
The references that you found on the back of the cover are all correct; George points out the last completed song sung by Paul: "She's Leaving Home".
Faul had an older appearance in respect to Paul and so to confuse the issue we all grew beards and mustaches so we would all seem "a bit older". Despite this, Faul wore contact lenses to darken his natural green color eyes. They were quite discreet but someone noticed that something had changed: the surgeons had forgotten to duplicate the small ditching that Paul had on his chin. This was retouched in the photos. Also Faul had to endure other plastic surgery sessions with some improvement although the result still wasn't perfect. The surgeons altered his mouth again: his teeth and his chin were fully rebuilt, his nose was made shorter and thinner, even his hands were reshaped and the cheeks (and chin) had to be increased with time-limited botuline injections when we were in public or when any photos were taken because his face was also a lot thinner than Paul's.
In spite of these operations today's traces of the old scar can still be seen on Faul's chin. The nose does not look the same overall: Faul's is smaller and is not shaped the same. But above all the distance between the eyes is completely different: Paul's were much wider.
And the old Faul - what happened to him? That's right, he's the one in the photo in the left bottom side of the White Album poster. To divert suspicion the photo was mirror printed. Faul slowly learned to play left handed and to sing better.
The counterpart of Brian could not hold up the role for very long: we had to get him out of the picture as quickly as possible while we worked on the legal aspects of how to manage the musical material that Paul had left to us, and so Apple was born. Here also John wanted to leave a strong reference to Paul: for "Apple Corp Ltd" read "A Paul Corp Ltd".
The trip in India was our attempt to put Paul's soul into Faul's body but of course it didn't succeed; yes, I know, it was a crazy idea, but we were almost going out of our heads with grief.
After some time we discovered that it was Brian and NOT Paul who was the main target of the kidnappers.
The game was initially liked by John, but as time went by the memory of Paul replaced his happiness and the idea to not let the Beatles die or allow those who had killed Brian and Paul to win. Without our knowing it, he inserted phrases into the tracks which whispered the truth. He risked wrecking everything but the phrases were replaced in the next copies of the albums. In spite of this John succeeded with a maximum amount of astuteness to publish the "White Album" poster which actually is the "White Book" of the whole matter.
When the material left by Paul was all published John did not find any reason to continue the Beatles, but he didn't want them to fold completely until he had inserted all the clues in the songs so that everything that had happened could be reconstructed.
Also, the end of Faul's role was supposed to coincide with the end of the Beatles but Faul didn't respect the contract that had been made and, feeling he would be strongly protected by the secret service, published his first solo album which had actually been prepared by other musicians. So we were tempted in the last album to reveal the truth but corporate managers and lawyers prevented it. The reference "28IF" on the Volksvagen plate in the "Abbey Road" cover is correct because the album was to suppose to come out a year later than it actually did, but there was a fear that some of the truth would come out prematurely so it was released earlier.
There are references in places other than Beatle albums or songs; there were a few friends in the music business and entertainment industry in general who were aware of our dilemma, and wrote disguised songs of support and condolence, most notably Paul Simon when he wrote "Mrs. Robinson", a poetic ode to Jane Asher, in 1968. Listen closely to the popular music of that era - the musicians of the world (who knew) were sympathetic.
After the Beatles' broke up, John went to America to find Paul's killers. During the second half of 1967 he had discovered they were members of the KKK. After years of personal investigation John was getting close, very close to the truth. He left Yoko and a few months later he was assassinated because he had requested not to have daily body guards with him anymore. At last The Friends were together again forever.
In spite of his betrayal, we should give Faul an immense "thank you", because he sacrificed his life for the Beatles. While this ruse has been financially successful to him, he has felt out of place quite a bit and (let the truth be known) many clues have actually been inserted by him! Unfortunately, after the Beatles, he merely became a puppet in Linda's hands because she wanted to become a rockstar at any cost. But in the end, despite it all, he became a very small McCartney or perhaps slightly better than small.
Dedicated to all those that helped keep this story alive until today.
Sources from :-
Paul McCartney Vs Faul McCartney 2, Forensic Voice Comparison 2 (Use Headphones)
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